Cast: Nitin, Ileana, Bhanuchander, Ahuti Prasad, Venumadhav, Sunil, Rama Prabha, M S Narayana and others
Dialogues: Ramesh, Gopi
Music: Manisharma
Cinematography: Surender Reddy
Editing: Kotagiri Venkateshwara Rao
Producer: G V Ramana
Story, screenplay and directed by: Parachuri Murali
Release date: September 25, 2009
Rating:
Nitin and ileana in Rechipo Telugu Movie Review:
Story: Shiva (Nitin) is good-hearted thief - sort of robin wood. He robs the black money from the rich and donates to the charity organizations. Police seize Rs 500 Crore belongs to a Dubai based Mafia leader which incidentally lands into home-minister (Ahuti Prasad). Shiva robs the money from home minister’s house and runs away from the place. He accidentally meets a naughty girl Krishna Veni and follows her to a marriage. At the wedding place, they tease each other and soon romance blossoms between them. Krishnaveni incidentally happens to be daughter of the home minister. When it is revealed that Shiva is a thief, Krishnaveni hates him but the mafia leader in Dubai soon kidnaps her. Now Shiva takes the job of bringing her back from Dubai.
Movie Analysis: Painfully long and unbearably tedious, Rechchipo is a predictable fare with absolutely nothing new to speak. One of the badly made movies in the recent times! Except the fact that Tollywood number one heroine Ileana looks gorgeous, the film has not a single positive point to talk about. Silly comedy, even clichéd scenes, unrelated action drama and poor technical values, the film is wasted effort. Looks like director Parachuri Murali has taken the producers for a ride. The money spent on Dubai episode – which itself looks like made in some desert in India, is complete waste. Director Parachuri Murali who has given watchable action drama like Andhrudu and sentiment drama Pedababu has lost complete grip on the script (in fact there is no proper story). It is high time that hero Nitin either take a break or think well before signing a film. He is doing inane movies one after the other. When was the last time he delivered a hit or for that matter a decent flick? One wonders how could he pick such bad scripts in a row? Doesn’t he learn from failures?
Artist and Other Performances: One really cannot fault Nitin’s efforts as actor. He does his best and as usually focused on dances. But he is letdown by his director. From Jalsa onwards, Ileana has been looking fantastic and gorgeous. She is the only saving grace with her great looks and sex appeal. Her costumes (designed by her mother) are also perfect. The guy who played the villain role is good. Rest of the cast - Bhanu Chander, Rama Prabha, Venumadhav, M S Narayana and others - are okay. Sunil’s comedy doesn’t evoke laughter. Technically too the film is a letdown. Surender Reddy’s cinematography is substandard. Manisharma’s music is passé. Producers seem to have given complete freedom to the director to spend lavishly but the director has selected a mediocre storyline and his narration is also big letdown. Ramesh – Gopi’s dialogues are also pretty ordinary.
Final View: Rechchipo tests the patience of the audiences. It is unbearably tedious and a complete predictable film. Even Ileana shakes also not saved this film.
Lara Dutta was born on April 16, 1978 Ghaziabad, Uttar Pradesh, India.she is the UNFPA Goodwill Ambassador and Miss Universe 2000.Her father is Wing Commander L.K. Dutta (retired) and her mother is Jennifer Dutta. She also has two older sisters, one of whom serves in the Indian Air Force and a well known younger sister. Famed composer and DJ Nitin Sawhney is Dutta's cousin.The Dutta family moved to Bangalore in 1981 where she completed high school from St.Francis Xavier Girls' High School. Lara graduated in economics with a minor in communications from Mumbai University. She was crowned Miss Universe in 2000 which led to her appointment as a UNFPA Goodwill Ambassador in 2001.
Modeling and acting:
Dutta won the annual Gladrags modelling competition in India, thus winning the right to be the first Indian representative at the 1997 Miss Intercontinental pageant, in which she took first place. Later, she was crowned Femina Miss India Universe and Miss Universe in 2000. At Miss Universe 2000 in Cyprus, Dutta was the clear favourite ahead of fierce competition from Venezuela, Spain, USA and Canada. Her finalist interview score was the highest individual score in any category in the history of the Miss Universe contest, as her perfect interview saw a majority of the judges giving her the maximum 9.99 mark. After her final question, in which Dutta delivered a passionate defense of the Miss Universe contest (and other beauty pageants), she became the second Indian Miss Universe. In the same year, Priyanka Chopra and Dia Mirza won their respective Miss World and Miss Asia Pacific titles which gave India a rare triple victory in the world of beauty pageants.
Dutta primarily signed up to do the Tamil film, Arasatchi in 2002, but due to financial problems, it only released in mid-2004. She made her Hindi debut in 2003 with the film Andaaz which was a box office success and won her a Filmfare Best Female Debut Award. She then appeared in a number of films, some of which failed at the box office and some of which were mildly successful. Her box office "hits" include Masti (2004), Kaal (2005), No Entry (2005) and Partner (2007). In 2006, she starred in the comedy, Bhagam Bhag which did well at the box office. Dutta's first release of 2007 was Shaad Ali's Jhoom Barabar Jhoom. The film was a box office failure in India but did better overseas, especially in the U.K.She received mixed reviews for her performance in the film. Her later release, Partner opened to a good response and became a hit.
Gossips of Lara Dutta : Apparently Lara is now seeing Dino Morea, and they make an uneasy threesome.But Lara has not made any such affairs official. On her life with Dorjee she says,” Yes, we were together for a very long time,” admits Lara, “And were each other’s strength for most of the ‘growing up’ years of our life. We’ve seen a lot together, but things happen, and we have to move on. There are some people who will always be special.” When asked whether she has started to be in love again, she said,” I’ll take each day as it comes. I’m not looking at getting into another relationship just yet. I think for me right now, life is at a stage where I’m getting good work. I realize that I’ve got a limited number of years and I really want to give it everything I’ve got. I haven’t been single in a really long time. I’m re-learning being single all over again, and loving it. some Rumors are she had been dated with indian tennis star Mahesh bupathi. but Denied that says they are just good friends. She is enjoying being single again and her home life is occupied with her dogs, her sisters and her friends. As for Dorjee, a link between one’s ex and one’s best friend can be heart breaking but Dorjee is quite ignorant about it and declares, that he has “no personal takes on them.
Lara Dutta the sexy & hot actress in Bollywood. Her First film in Bollywood was Andaaz . By this she came to fame in Bollywood . She is very busy in her up coming projects in Bollywood. Her latest Film wad Blue along with akshay and sanjay dutt.
Exclusive Profile of Lara Dutta.
Birth Day : 16-04-1978.
Birth Place : Ghaziabad, Uttar Pradesh, India.
Height : 5 Feet 8 inches.
Education : completed graduation in Economics .
Sexy Spot : Her Smile & Eyes.
Family : Father , Mother and Two sisters.
Debut Movie: Dutta primarily signed up to do the Tamil film, Arasatchi in 2002, but due to financial problems, it only released in mid-2004..
Hobbies : Bungee- jumping, para-gliding, white water rafting etc.
Favorite Colour : Blue , white& Red.
Favorite Food : Indian dishes .
Favorite Clothes : Jeans,t-shirts & Sarees.
Favorite Drink : Any soft drinks .
Favorite place : U.S.A, Australia, Mauritius .
Favorite sports : cricket, swimming and sailing ,.
Favorite Hero : Shah rukh Khan, Amir Khan And Amitab.
Favorite heroine : Nargis and Rekha.
Languages Known : English , Hindi & Marati.
Likes in others : Innocent , Loving nature & Honest.
Dislikes in others : Dirty & Rudy , Cruel .
For beauty : aerobics & Yoga.
Eats Healthy food.
Role model : Mother, because he is an intelligent person.
Date of Birth 9 June 1985, Chembur, Maharashtra, India Birth Name Sonam Anil Kapoor Height 5' 9½" (1.77 m)
Mini Biography Sonam was born on June 9, 1985 in Chembur, Bombay, India in the Kapoor family, which consists of Punjabi-speaking dad, Anil, Sindhi-speaking mom, Sunita (nee Bhambhani), sister, Rhea and brother, Harshwardhana. She is the niece of film-maker Boney Kapoor, and actor, Sanjay Kapoor. The family has good connections within the Indian movie industry commonly known as Bollywood. Boney's wife is noted yesteryear film actress Sridevi. Her cousin, Arjun, Boney's son is an up and coming movie director.
She completed her schooling from Arya Vidya Mandir and majored in Theater Arts and Chinese History from United World College of East Asia. She then also majored in Political Science and Economics from Bombay University.
She was considerably overweight, but when she decided to act, she shed those extra pounds, took good care of her skin and eyebrows, also took dance lessons, as well as acting and diction classes. Her mom, who came from a business family, did not initially approve of her taking to acting and preferred that she get a college education, and then eventually marry and settle down.
She assisted Sanjay Leela Bhansali during the filming of 'Black' and often went to Mumbai's notorious Chor Bazar near Grant Road Railway Station to shop for props.
She has made her first appearance in Bollywood with 'Saanwariya' opposite another débutante, Ranbir Kapoor, the son of Neetu Singh and Rishi Kapoor.
A person of varied interests she loves to read, write, paint, go shopping, and play video games, basket-ball and squash. She is proficient in Sindhi, Hindi, English and Punjabi.
Trivia Is the daughter of the evergreen Indian Film Star, Anil Kapoor
Her favorite songs are Jab Koyi Baat Bigad Jaye, Raat Kali Ek Khwaab Mein aaye. Then there's her old time favorites Somewhere Over The Rainbow, Don't Cry For Me Argentina, Strangers In The Night. She also likes Choli Ke Peeche, Aaj Mein Upar Aasmaan Neeche from the movie Khamoshi: The Musical (1996). Kabhi Kabhi Mere Dil Mein and Ek Ladki Ko Dekha. All of A.R. Rahman's music and her favorite band is Red Hot Chilli Peppers.
Favorite movies are all of Satyajit Ray's films (especially Pather Panchali (1955)), all of Raj Kapoor movies, Guide (1965), Mr India (1987), Devdas (2002/I), Black (2005), Saawariya (2007), Franco Zeffirelli's Romeo and Juliet (1968/I), Titanic (1997), Bandini (1963), All of Steven Spielberg's movies (especially Schindler's List (1993)), The Unbearable Lightness of Being (1988). She likes all love stories.
Favorite books are Milan Kundera's Unbearable Lightness of Being, Ayn Rand's Fountainhead and Atlas Shrugged, The Mahabharata because she finds it so positive and gives her hope all the time, 'Patrick Suskind''s Perfume, J.K. Rowling's Harry Potter series, Jane Austen's Pride and Prejudice and Sense and Sensibility, Chitra Banerjee Divakaruni's books including Mistress of Spices, Charlotte Brontë's Jane Eyre, and books by all the Bronte sisters.
Favorite brands are Chanel, Jean Paul Gaultier, and Dior.
Enjoys reading, shopping, writing, playing squash and basketball, video games and painting.
Went to university at Bombay University (Majoring in Economics and Political Science).
Went to high school at the United World College of South East Asia, finishing the International Baccalaureate program.
Studied in Arya Vidya Mandhir school.
Her favorite director is Sanjay Leela Bhansali.
Her favorite actresses are Sridevi, Madhuri Dixit, Kajol, Tabu, Rani Mukherjee, Kareena Kapoor, and Priyanka Chopra.
Favorite actor is her father Anil Kapoor.
Sonam was never interested in acting. Direction and writing were her basic interests, but Sanjay Leela Bhansali showed so much confidence in her that he wanted her to be in his film.
Loves to dance. She is trained in Kathak, classical music, and Latin dance.
Speaks Urdu, Sindhi, Punjabi and English all fluently.
Was born in Chembur which is the suburb of Mumbai located in India.
Uncles are producer Boney Kapoor and actor Sanjay Kapoor. Her aunt is actress Sridevi.
Siblings are sister Rhea & brother Harsh Kapoor.
Weighed over 80 kilograms (about 180 pounds) when offered Saawariya (2007). After she returned from Singapore, she got into weight training with Shervir and Monisha as well as artistic yoga with Bharat Thakur.
Story: Ganesh (Ram) is an orphan who always pitches in to help needy people. In one such strange situation, he is forced to act with Divya (Kajal Agarwal) that he loves her. But later on, she comes to know that he is loving her to fulfill some other ambition and his love is an act of fabrication. By then, Ganesh genuinely falls in love with her. The rest of the story is all about how he convinces her about his true love.
Artists Performance The 26 kids who acted in this movie are wonderful. They performed naturally and added fun and purity to the scenes they are involved with. Ram is pretty good as Ganesh in this movie. He has shown lots of maturity in performance and dialogue modulation towards the end of the movie. His dances in Ganesa song are interesting. Kajal Agarwal is nice. Brahmanandam's comedy, though routine gives relief. Poonam Kaur is adequate as the friend of heroine. Asish Vidyardhi alright as a comedy villain. Rohini Hattangadi did a brief role..
Technical departments Story - screenplay - directon: Story of the movie is wafer thin. A story like these should be narrated with tight screenplay and gripping emotions. The debutant director couldn't come up with a gripping screenplay to narrate the story in an interesting manner. However, the kids backdrop has helped in keeping the movie going. The episodes involving kids are a sheer delight to watch. The direction should have been better. Films like these will be interesting only if director projects the love between lead couple in a tender yet interesting way. Though it may look different on paper, the director couldn't translate those sweet nothings onto the screen in a convincing way. I didn't expect a couple of insensible scenes (hero cutting his wrist to prove his love and kids being ill-treated in climax) from a production house of Sravanthi.
Other departments:
what happend to Micky J Meyer's . he is the one that gaved good music for some tollywood hit film. But in this film his music was too bad and worst.Micky J Meyer's songs definitely sound good on stereo. However, they are not captured efficiently onto the screen. The chalo song featuring kids is picturized well. The 'rajkumrai' song which sounds fabulous is misplaced in the movie. Background score is not good. The dialogues written by Abburi Ravi in key scenes leading to climax are good. Cinematography should have been better. Fights by Peter Heins are adequate but it looks to much for the physic of Ram , may be Ram himself thinks he is another Pawan Kalyan of Tollywood. Editing should have been crisper as there is lots of lag in the second half of the movie.
Analysis:
First half of the movie is adequate. The second half lacks pace. The climax should have been shot interestingly. Plus points of the movie are Ram and kids. Negative points are screenplay and slow second half. Stories of this type needs tremendous creativity and presentation ability from director. The runtime of the movie is around 3 hours and it seriously needs some trimming in the second half. The lifeline of the movie is the kids episode. Ganesh is not the movie for morning show crowds. It is a clean movie aimed at family crowds. The fate of the movie will solely depend on how family crowds receive it.
Final View:
Ganesh is one of the mega serial type film, the film is to much stretched that makes common audion irritated and bored may be the canteen owners will like the film bcoz his business was developed ina grat way due to this film duration. First half has filled with childish entertainment but second half misses the track. Should have been trimmed to make it tighter in the second half (2.50 hrs runtime). On the whole, it is strictly flop fare may the family viewers rescue the film.
Kamna Jethmalani the one of the leading & bubbly actress in south india .Her debut film was premikulu (telugu) .she done so many fils in telugu & tamil also . she is more busy in her up coming projects.
Kamna Jethmalani is an south Indian actress.she was born on 10 december 1985 in mumbai , india. She is the granddaughter of a businessman cum politician Late. Mr. Shyam Jethmalani. She debuted with Telugu film Premikulu. Though that film flopped, her second film Ranam was a big hit. Her first Tamil film was with Jayam Ravi in Idhaya Thirudan. She did an item number in the film Sainikudu. She has recently acted in Machakaaran opposite Jeevan.she completed her schooling after that she got offers in films. so she stopped her studies and enters in to films. she became famous in south indian films.
gossips: Kamna Jethmalani is a very sexy looking and hot actress in south indian films. some rumors are flyed in south was that she is running an affair with telugu young hero. but she dines that and says that he was good friend of her. she says that she dont says no for exposing in films when scripts demands for that.she earns almost 20-30 lacks per movie. she says tha ther sex spot was her sexy killing looks.
Filmography:
Telugu
Premikulu (2005)
Ranam (2006) ... Maheshwari
Samanyudu (2006)
Sainikudu (2006).....special appearance in an item song
VILLAGE LO VINAYAKUDU-Krishnudu & Saranyain(2009) Cast :: Krishnudu, Saranya Mohan Music :: Manikanth Kadri Producer :: Mahi Banner :: Moonwater Pictures Production Director :: Sai kiran Adivi
Dil Bole Hadippa is a celebration of the never-say-die spirit of Yash Raj Films. For years they have epitomized bhartiya sanskriti amidst Punjab’s sarso-de-khet which they continue to do even today without much advancement. This time they seek faint inspiration from the Hollywood flick She’s The Man (2006), replace the soccer with cricket, liberally regurgitate plotlines from their recent library of films and deck it up with patriotic sentiments. The scene opens in a Veer-Zaara village verandah where Veera (Rani Mukherjee) scores six sixers in an over and is still in the Bunty aur Babli hangover. Faking fractured English, she attempts to be as bright and bubbly as her pink patiala suits. Every Independence Day, the village participates in an Indo-Pak cricket match contesting players from across the boundary. After losing consecutively for years, the team head (Anupam Kher) calls upon his son Rohan (Shahid Kapoor) who plays county cricket in London. Rohan decides to form a new team and announces auditions. The script resorts to the moustache mantra from Rab Ne Bana Di Jodi when Veera intends to gain a new identity. She doesn’t just switches character but also gender, posing as a boy to get entry into the cricket team. Nobody has second thoughts about her voluptuous form or vocal chords. It’s another story altogether that it takes the hero less than a second to distinguish Veer from Veera when her coloured lens falls off in the climax. What an eye for detailing! Chak De India is revisited as Rohan coaches the village team for victory. Amidst guided tours in sarso ke khet and Punjab da dhaba , the NRI Rohan falls in love with the desi Veera. Then there are those obligatory and artificial tributes to their own DDLJ and its predecessor Hum Aapke Hai Kaun , something the Chopras have been repeating in their recent releases. The screenplay also makes way for Baisakhi bhangra and culture lectures until its time for the final match. Do not expect a Lagaan connect through the cricket as the innings are edited in fast-forward mode. Both, the match and its outcome are straightforwardly predictable. Despite all the conventionalism, trust the climax to have an emotional touch with a lump-in-throat effect in true-blue YRF tradition. Beyond that there is a speech on woman empowerment which also suggests females should play cricket alongside Sachin Tendulkar for the national team. Talk about coed cricket? The writing by Jaya-Aparajita is predictable from the word Hadippa – the first sound in the film. Sudeep Chatterjee’s cinematography is soothing and Vaibhavi Merchant’s choreography is vivacious. Shahid grooves effortlessly in the title track and Rani oozes enthusiasm in Bhangra Bistar . Rani Mukherjee comes up with a spirited performance but her mock sob-whine-whimper do not amuse anymore. Also after a point you dislike visualizing the charming actress as the moustached male player. Shahid Kapoor at no point is overshadowed by the immense screen presence of Rani Mukherjee. He is earnest and esp. impressive in his climax outburst in the dressing room. Anupam Kher reprises the regular father he has played in several Yash Raj films. Surprisingly Rakhi Sawant doesn’t go overboard.
Final View: Dil Bole Hadippa comes as another feel ‘good’ film from the Yash Raj banner but off late audiences have upgraded to ‘better’ narratives.
Cast: Salman Khan, Ayesha Takia, Mahesh Manjrekar, Prakash Raj
Producer: Bonny kapoor.
Rating:
WANTED HINDI MOVIE REVIEW:
Story and Movie Analysis:
It is a remake from telugu hero mahesh babu pokiri film. It gaved big star dome for mahesh in telugu. But it was not that so good for salmann in bollywood.The term masala movie must have been minted especially for films like Wanted that are formulated using all cinematic ingredients of song-n-dance, drama, action, romance, revenge and then spiced up like strong South sambhar. For a change this sambhar tastes scrumptious since the pepperiness is in proportion. The story is not groundbreaking but isn’t mindless either, the humour is boisterous but not slapstick, the action is exaggerated but is slickly convincing nonetheless and the protagonist is projected not merely as an actor but a hero. Radhe (Salman Khan) is a hardcore gangster who calmly kills anyone for money. He reels around aimlessly (with some real life friends) and by the end of first reel, falls in love at first sight with Janhvi (Ayesha Takia). A lecherous cop Talpade (Mahesh Manjrekar) has an eye on Janhvi. Meanwhile Radhe’s funny boss Gani (Prakash Raj) who operates from abroad comes down to India. Then there is a customary conspiracy to assassinate the minister at a public event. But before that can transpire the bad man is butchered. So what’s new you ask? The story by Puri Jagannath (who also directed the original Telugu film Pokhiri) is the same old recipe. It’s the garnishing that adds to the appeal. The pacing is as swift as Prabhudheva’s dance movements, giving you no time to ponder over the proceedings. The heavy-duty editing and Vijayan Master’s hard-hitting action sequences keep you riveted. Time and again the script finds excuses to initiate another combat and while you initially expect the amplified action to backfire, it actually turns out to be the highlight. Each stunt sequence is modishly maneuvered and is of the influential variety – one that incites even the meekest of viewer to kick some butt after the show is over. With every kick and punch, Salman Khan delivers and looks cool, confident and convincing Prabhudheva’s passion for choreography comes live onscreen as four dance directors (Raju Sundaram, Vaibhavi Merchant, Rajiv Surti) make Salman groove like never before. Unfortunately the vibrant choreography isn’t complemented with equally compelling music by Sajid-Wajid. Also too many songs interrupt the flow of the film, some of which could have been easily prevented. The romance track running parallel to the primary plot has its charming moments but could have been shorter esp. in the second half. Shiraz Ahmed balances the forceful action by interlacing some light-hearted lines and scenes in the screenplay. Everyone from the comedian, hero and even the villain contribute to humour in their own way through decent comic timings. What actually gets the graph of the film down is that after glorifying the hero throughout, the climax makes him vulnerable on usual pretexts of father’s death or friend’s kidnap. One can foresee a twist reserved for the pre-climax much before it actually materializes. And once that is formally revealed, the film treads towards a mundane climax where the hero is set to terminate the villain. Nevertheless, Salman Khan alone makes Wanted a worth watch. He is fresh, fit and in form, looking smashingly super-cool like never before. Despite the hardcore action image, his face exudes an innocent charm. He dances with new vigour, kicks serious butt and kills ruthlessly. Ayesha Takia is cute and charming. Mahesh Manjrekar as the lusting and spiteful cop makes you hate every bit of his character. Prakash Raj is funny as international don Gani yet his character is not ridiculed down to a caricature. Vinod Khanna doesn’t get scope beyond one sequence. The good part of Wanted is that it isn’t pretentious and delivers what it promises – time-pass popcorn entertainment.
Final View: There are times when you care a damn about nutrition and want to indulge in some lip-smacking junk food. Wanted is just that recipe. Never mind some extra calories! Try watching it in a single screen – the cheese melts faster there.
Banner: Raaj Kamal International. Cast: Kamal Hassan, Venkatesh, Lakshmi, Venkat Raghavan, Dr. Bharat Reddy, Anuja Iyer etc Music: Shruthi Hassan.
Cinematography: Manoj Soni.
Dialogues: Neelakanta.
Art: Thota Tharani.
Story: Neeraj Pandey .
Direction: Chakri Toleti.
Producer: Kamal Hassan & Rani Screwvala.
Release date: 18 September 2009 .
Rating:
EENADU TELUGU MOVIE REVIEW:
Story:
After long time multistar film was released in tollywood. But it seems to not worked by big time. it is remake of A wednes Day Movie. Well coming in to Story Eeswar Prasad (Venkatesh) is the commissioner of police of Hyderabad. One day he receives a call from a stranger (Kamal Haasan) that he has planted bombs in various cities and they will be trigged off at 6 pm if Eeswar Prasad does not release four most dreaded terrorists from the police custody. Eeswar alerts his team and makes arrangement to release the terrorists and at the same time he tries to trace the stranger. The rest of the story is all about whether Eeswar finds who the stranger is or not.
Artists Performance Kamal Hassan: Kamal Hassan has done a brilliant job as a stranger in the movie. However, the characterization in Telugu/Tamil version is too strong for Kamal. Kamal behaves as if he has upper hand over the commissioner right from the first scene. With that characterization, the sympathy we have for the common man character doesn't get created. Another point to note here is that the strengths and ability of the stranger is slowly revealed over a period of time till the interval in 'A Wednesday' and it adds up to thrill. Where as in Eenadu, they tried to show Kamal Hassan as a stud right in the first scene where he prepares a RDX bomb. Venkatesh: Venkatesh is nice as a police commissioner and it is a welcome decision for him to shed his star image to do a different character. Except for a couple of small glitches in dialogue delivery, Venkatesh did well. Again the comparison with the original character is inevitable here. In the original Anupam Kher played the role of an officer who was almost on the verge of his retirement when he gets a call from a stranger. Where as Venkatesh's character in this movie is a middle aged. How an old man deals with such an unprecedented crisis situation is much more fascinating than a young guy dealing with it. Others: Anuja Iyer is alright as a TV journalist. Gowtami seems to have dubbed her voice. Ganesh Venkatraman (who did the role of Trisha's boyfriend in Aakasamantha movie) did the role of a hot-blooded cop and he is alright. Dr. Bharat Reddy is good as a sincere cop. Lakshmi did an important role of chief secretary to the CM. Poonam Kaur did a small role.
Technical departments Story - screenplay - directon: Story of the movie has the right blend of thrilling elements coupled with nice message. Screenplay of the movie is adequate. Direction of Chakri Toleti is good in parts. However, the characterizations should have been much better. As I mentioned in artists performances, the director made Kamal Hassan's character too strong. A feeble guy like Nasiruddin Shah achieving such a huge task of planting bombs and taking the Government for ride was thrilling. Where as a person like Kamal Hassan who is shown as a great bomb assembler in the first scene doesn't give the same kind of effect. The characterization of hot-blooded cop played by Ganesh Venkatraghavan doesn't have the required precision. The character of Lakshmi is also little confusing. The conflict and friction between Venkatesh and Lakshmi looks too personal (like in between family members or friends) than between two top brass officials. I had reviewed A Wednesday right on the day it was released and I enlisted seven scenes I loved in that movie. I am going to compare how those seven scenes fared in 'Eenadu' A Wednesday1. The scene in which police commissioner gets the CM to give all powers to him in order to negotiate with the stranger. 2. The rowdy pissing in pants and telling the truth the moment he sees Arif Khan. 3. The scene in which director dupes us into thinking that Arif Khan catches hold of the stranger on the top of the under-construction building (a similar screenplay technique was used in ‘The silence of the Lambs’ where the director dupes us to think that heroine surrounds the house of the killer) 4. The way the stranger sips coffee and eats sandwich while negotiating with the police force. 5. The final twist when terrorists are taken to Juhu air-strip. 6. The scene in which the stranger reveals the cause behind his act. 7. The terrific encounter between the two in the last scene Eenadu1. The characterization of Lakshmi diluted the required effect.2. Arif Khan's character is not properly etched and this scene in the movie is ineffective.3. This scene is also not effectively handled.4. This scene is alright.5. This is nice.6. The reason given by stranger is appears out of place. This movie is about terrorism and the reason given by stranger is irrelevant to terrorism.7. This is good. Finally I saw both Kamal and Venky in the same frame of the movie in the end.
Other departments:
Music by Sruthi Hassan is nice and it suited with the tone of the movie. Dialogues by Neelakanta are adequate though I expected more powerful and realistic ones from him. Manoj Soni's cinematography is good. The usage of RED camera seems to have worked for the movie. Movie is slick and sophisticated on the technical aspects. And Chakri should be commended for assembling the right work from the technicians. Editing is fast.
Movie Analysis:
Remaking a Hindi blockbuster featuring character actors with stars in Telugu/Tamil is always a risky proposition. A Wednesday worked purely on content with actors complementing it. By adding the stars to Telugu/Tamil version, the characterizations got changed. Hence the needed effect gets diluted. The plus points of the movie are Kamal Hassan, Venkatesh and technicians. The negative points are characterizations and script changes. Kamal Hassan and Venkatesh should be appreciated for doing this movie that has single costume, no songs and no romantic angle. Since I have seen the original and reviewed it too, I couldn't resist doing vital comparision. However, the fate of the Eenadu will depend on how people who haven't seen A Wednesday receive it.
Final View:
Kamal and Venkatesh acting together in a film and their star power is the major attraction with Eenadu but the film, on the whole, is okay. It lacks the ‘force’ and emotional basis to get connected with. For those who haven’t seen the original, Eenadu looks fresh and to those who have seen it doesn’t seem much exciting. It was an Average Movie.
Parvati Melton (Telugu: పార్వతి మెల్టన్) is a tall (5 feet 9 inches)Indiamodel and a Tollywood actress. She acted with Raja in the film Vennela, which turned out to be a success.She was born in California on 7 january1983 to a German father and Punjabi mother. her nick name was Paro.She has a sister Ariana and learnt Bharatnatyam as a child. she studied inMarian GATE Gifted and Talented Education High School Program with transfer to UCB of CA, USA majoring in Business AdministrationShe is 17 and her first film Vennela is just a prelude to her immense potential as an actress. she is a very sexy actress in south india. her first film was vennala telugu with raja. she came more famous from jalsa movie.she loves reading books.
Gossips :
she is avery pretty sexy hot actress in South indian films. Rumors in south was she is moving very close with hero sarvanandh. but she dines these words and says he is good friend of her.she says that her sexy appeal was her eyes. she tells that she don't oppose exposing in movie.
Filmography:
2005 Vennela Pavani -Telugu .
2006 Game - Telugu .
2006 Allare Allari Swathi -Telugu .
2007 Hallo Parvathi -Malayalam .
2007 Madhumasam Maya -Telugu .
2007 Flash - Malayalam Special appearance .
2008 Jalsa Jyotsna -Telugu .
2009 Murali(Yet to be released) English, Hindi, Telugu, Tamil, Malayalam .
LONDON DREAMS (2009)- Ajay Devgan Directed:Vipul Shah Produced:Aashin Shah Written:Suresh nair Cast:Salman Khan,Ajay Devgan,Asin Thottumkal,Rannvijay Singh,Brinda Parekh,Om Puri Music:Shankar-Ehsaan-Loy Cinematography :Sejal Shah Editing :Amitabh Shukla Release date :October 30, 2009 LONDON DREAMS HINDI MOVIE MP3 SONGS DOWNLOADS Note : Right click and save target as to download london dream song tracks.
Languages Known : English , Hindi & Marati.
